Antelope Audio Goliath HD Gen 3

SGD11,060.00

Antelope Audio GOliath HD Gen 3

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  • Terms and Conditions (Please make sure that you have read and understood our terms and conditions prior to purchase at our Terms and conditions of use page located at the bottom.) Terms and Conditions (Please make sure that you have read and understood our terms and conditions prior to purchase at our Terms and conditions of use page located at the bottom.)
  • Delivery Policy Delivery Policy
  • Return and Exchange Policy 
(Goods sold are non-refundable. If there is any manufacturing defects, please check out our exchange, warranty policy to get the goods replaced.) Return and Exchange Policy (Goods sold are non-refundable. If there is any manufacturing defects, please check out our exchange, warranty policy to get the goods replaced.)

GOLIATH HD | GEN 3

Evolution of a powerhouse

With brand-new, state-of-the-art AD/DA converters, this 64-channel Thunderbolt/USB and HDX beast achieves a stunning 136dB dynamic range on its mastering-grade monitor outputs. Designed to handle even the most demanding studio & live productions, Goliath HD | Gen 3 offers the most comprehensive connectivity out of any interface on the market.

CONNECTIVITY

Simply unmatched

The all-purpose I/O includes 16 mic preamps, with accusonic modeling, 2 analog inserts, 8 instruments inputs and additional 16 analog inputs (over DB25) with 124dB dynamic range, 32 analog outputs (over DB25) with 129dB dynamic range, 2 transformer ReAmp outs, 2 headphone outputs (a total of 38 analog outputs). Digital & networking connectivity is established by industry-standard AES, MADI, ADAT, S/PDIF, Thunderbolt USB and HDX connections for a whopping sum of 346 digital I/O channels!

ANALOG INPUTS AND OUTPUTS

38/38

CHANNELS

DIGITAL INPUTS AND OUTPUTS

346/346

CHANNELS

ACCUSONIC MIC MODELING READY

Edge Duo modeling mic included

Antelope Audio compliments the Goliath HD | Gen 3 users by adding the Edge Duo Modeling Mic to the package.

This high-quality dual-capsule large-diaphragm condenser microphone captures vocals and instruments with pristine clarity, depth and detail, making it the perfect starting point for emulating a plethora of timeless studio microphones. Edge Duo is able to call on an extensive and ever-expanding collection of classic mic emulations, with 11 legendary microphone models available. All have been meticulously measured from carefully selected original examples in one of the most respected facilities in Germany. The full list of Edge Duo emulations includes: Berlin 47 FT, Berlin 49T, Berlin 57, Berlin 87, Berlin 67, Berlin M103, Vienna 12, Vienna 414, Tokyo 800T, Oxford 4038, Sacramento 121F.

CONVERSION

It’s all down

to dynamics

The big news for the Goliath HD | Gen 3 is that its converters provide 136 dB dynamic range (as measured at the Monitor Outs), approaching the theoretical limit of 24-bit audio.

Thunderbolt 2™ & USB 3.0

flexibility

USB, Thunderbolt and HDX connectivity ensure the Goliath HD | Gen. 3 is compatible with any DAW on Windows and Mac computers. Easily integrate the interface into any DAW-based setup and work on projects spanning several DAWs. Nothing is off-limits, with independent 64 channels of I/O stream over Thunderbolt 2, USB 3.0 and 2 HDX Ports.

CONNECTIVITY

2 HDX Ports

Extend your Goliath HD | Gen 3’s capabilities with Pro Tools HDX/HD Native Integration with dual HDX ports, up to 64 audio channels, proprietary HDX Delay Compensation, manual latency adjustment & Loop Sync.

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FX LIBRARY

69 real-time studio FX Included

Give your recordings, mixes and masters the polish and sheen they deserve with the vast collection of real-time Antelope Audio studio effects. A large number of classic studio equalizers & compressors, proprietary signal processors and other essentials are available at your disposal.

SUPREME WORKFLOW

Eliminate latency

For Windows users, Antelope Audio offers a very fast and stable custom Thunderbolt driver which achieves true sub-millisecond roundtrip latency. Goliath HD | Gen 3’s HDX Delay Compensation Method brings any analog or digital input into Pro Tools. You can enjoy latency-free direct monitoring over 4 independent internal mixers with 32 assignable inputs and stereo outputs.

JITTER MANAGEMENT

Acoustically focused clocking

The pioneer of atomic clocking in pro audio, Antelope Audio incorporates 20+ years of clocking expertise in its audio interfaces. With a crystal oscillator and the proprietary 64-bit AFC jitter management algorithm, the Goliath HD | Gen 3 delivers the kind of artifact-free audio once accessible only to the highest-tier studios

Eliminates signal jitter for pristine and artifact-free digital audio.

Increases width, separation, and detail in musical performances.

<+/-0.02 ppm, oven controlled at 64.5°C/ 148.1°F

HAND-CRAFTED IN EUROPE

Built to last

Goliath HD | Gen 3 gets a gorgeous front panel facelift while keeping the convenient monitor and level indicators intact. The full-color touchscreen is still its centerpiece, enabling immediate access to metering, preferences, gain adjustments and mission-critical functionality. Each unit is hand-crafted in Europe with the latest innovations and quality standards in mind.

Features

  • 136dB dynamic range D/A monitor out conversion pushes digital audio to its near-limits
  • Latency-free direct monitoring over 4 independent monitoring mixers
  • FPGA powered engine with 69 included real-time audio effects
  • Pro Tools HD & HDX support over 2 Mini HDX Ports 32 channels I/O per port
  • 16 channels Class A Mic preamps with accusonic mic modeling technology
  • 64 channels of synchronous I/O stream over Thunderbolt 2,or USB 3 up to 192kHz, 24-bit
  • Oven Controlled Crystal Oscillator with 64-Bit AFC Technology
  • 32 channels of independent analog outputs over DB25
  • 128 channels of MADI I/O up to 48 kHz with (MADI to Dante support) as well as AES, ADAT, S/PDIF I/O digital connections
  • Multi-functional touch-screen display for signal monitoring and function control
  • Powerful digital routing matrix with LAN control
  • Handcrafted in Europe

Specifications

ANALOG

Analog Inputs
16 × Mic/Line Universal inputs on XLR Combos (among which 4 × Hi-Z)
Gain 0.10-65dB. 124dB DNR, -112dB THD
2 × D-SUB (16 channels +20dBu max, 11.2 kOhms, 124dB DNR)
 
Analog Outputs
4 × D-SUB (32 channels, +24dBu, 56 Ohms, 129dB DNR, -115dB THD)
1 × Monitor Out pair TRS ¼ Jacks (136dB DNR)
2 × Stereo Headphone outs on TRS ¼ Jacks
2 × Reamp outs on TRS ¼ Jacks
 
D/A Monitor Converter
Dynamic Range: 136 dB
THD + N : -115 dB
Quad D/A Mono Structure
 
A/D Converter
Dynamic Range: 124 dB
THD + N: -112 dB
 
D/A Converter
Dynamic Range: 129 dB
THD + N: - 117dB
 
ANALOG INSERTS
2 × A/D Inserts on TRS ¼ Jacks
(dedicated to rear universal inputs 1 and 2)

DIGITAL

Digital Inputs
2 × Fiber Optic MADI (up to 64 channels each)
2 × ADAT (up to 8 channels each)
1 × S/PDIF on RCA (2 channels)
4 × AES/EBU on D-SUB 25 (8 channels)
 
Digital Outputs
2 × Fiber Optic MADI (up to 64 channels each)
2 × ADAT (up to 8 channels each)
1 × S/PDIF on RCA (2 channels)
4 × AES/EBU on D-SUB 25 (8 channels)
 
USB I/O
USB 3.0 Type B connector
(64 channels up to 192kHz)
 
Thunderbolt™
1 × Thunderbolt (64 × 64 channels I/O)
 
HDX /OPTIONAL ACTIVATION/
2 × Mini HDX connectors
(32 channels I/O each)

CLOCKING

Atomic clock
1 × 10M Input @ 75 Ohms 1Vpp on BNC
 
Word Clock Input
1 × Input @ 75 Ohms 3Vpp on BNC 32-192kHz (can be used for HDX Loop Sync)
 
Word Clock Outputs
2 × Outputs @ 75 Ohms 3Vpp on BNC 32-192kHz (can be used for HDX Loop Sync)
 
Clocking System
4th Generation Acoustically Focused Clocking
64-bit DDS
Oven controlled crystal oscillator
 
Sample Rates (kHz)
32, 44.1, 48, 88.2, 96, 176.4, 192

OTHER

Operating Temperature
0-50°C/32-122°F
 
Weight (Approx)
6.8 kg/ 15 lbs
 
Dimensions (Approx)
Width: 48 3mm / 19”
Height: 81 mm / 3.2”
Depth: 279 mm / 11”
 
Power Consumption
40 Watts Max

For more information and technical specifications click here

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